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The New York Dolls is an American rock band, formed in New York in 1971. In 2004 the band reformed with three of their original members, two of whom, David Johansen and Sylvain Sylvain, continue on today and have released two records of new material. The original bassist, Arthur Kane, died shortly after their first reunion concert.

The band’s proto-punk sound prefigured much of what was to come in the punk rock era; their visual style influenced the look of many new wave and 1980s-era glam metal groups, and they began the local New York scene that later spawned the Ramones, Blondie, Television and Talking Heads.

The New York Dolls in one of the greatest TV performances of all time.

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I wrote this song long before I started playing with The Muckrakes. It’s going to appear on our upcoming CD, Grandiphonia.

Pigeonholing South-East VA, fitting The Muckrakes into any one genre is a difficult task because they meld so many vibrant instruments into a heady mash uniquely all their own.

Their music can shift to sometimes quiet and reflective, sometimes foot stomping and rambunctious, sometimes pure and innocent, and sometimes dark and moody. This is a rock band with bluegrass guts, ragtime legs, folk sensibilities and a dash of the blues for good measure.

Together, the group has found the right combination of sweet and sinister, of power and weakness, of new and old and is here to help make the celebration of life a little more rowdy.

Please leave a comment or reblog.

Whatcha think?

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The Violent Femmes was founded by bassist Brian Ritchie and percussionist Victor DeLorenzo following the demise of the initial wave of American punk rock, and became a full-fledged band upon the arrival of lead vocalist and guitarist Gordon Gano. In its early days, the band frequently played coffee houses and street corners. They were discovered by James Honeyman-Scott (of The Pretenders) on August 23, 1981, when the band was busking on a street corner in front of the Oriental Theatre, the Milwaukee venue that The Pretenders would be playing later that night. Chrissie Hynde invited them to play a brief acoustic set after the opening act.

The band signed to the then-independent Los Angeles punk label Slash Records. They released their debut, Violent Femmes, which they had recorded in July 1982. The music was an innovative combination of American folk music and punk rock, which would much later come to be known as “folk punk”. The lyrics were the common themes of yearning for love, sex and affection. The group quickly gained a following that never veered into mainstream commercialism. A few songs that gained recognition include “Add It Up”, “Blister in the Sun”, “Gone Daddy Gone”, “Kiss Off”, and “Please Do Not Go”. The debut album went platinum 10 years after its release.

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BABY, IT’S COLD OUTSIDE by JOHNNY MERCER (with Margaret Whiting)

John Herndon “Johnny” Mercer (1909 – 1976) was an American lyricist, songwriter and singer. He is best known as a lyricist, but he also composed music. He was also a very popular singer who recorded his own songs as well as those written by others.

From the mid-1930s through the mid-1950s, many of the songs Mercer wrote and performed were among the most popular hits of the time. He wrote the lyrics to more than fifteen hundred (1500) songs, including compositions for movies and Broadway shows.

He received nineteen Academy Award nominations, and won four. Mercer was also a co-founder of Capitol Records. Many of his songs have found their way into “The Great American Song Book”.

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The Maggots started out in ‘98 after a drunken night - by members Måns P. Månsson and Jens Lindberg.

The Maggots are slowly but surely becoming a garage punk institution in Sweden, and are working hard to invade Europe and the rest of the world with their tuff big beat garage rock’n’roll with roots firmly planted in the soil of 60’s garage and 50’s.

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(Because this is what type of mood I’m in today…)

Louis Daniel Armstrong—(1901 – 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.

Renowned for his charismatic stage presence and deep, instantly recognizable voice almost as much as for his trumpet-playing, Armstrong’s influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general.

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Led energetically by the throat of front man Todd Owens, The Bottle Babies is founded on rock ‘n’ roll tradition, built by energy and driven by the passion to perform. The unique blend of the band’s influences fills a gut and balls niche that’s indigenous and worthy of representing their garage-punk musical roots.

Formed in 1998, in Norfolk, VA., the band manages to capture an aggressive display of melody and unleash the power of their musicianship and unique style on stage as well as on wax.


**on a personal note, I played guitar on this track.

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Fear was formed in 1977 by vocalist/guitarist Lee Ving and bassist Derf Scratch while living in Los Angeles, California. They recruited guitarist Burt Good, and drummer Johnny Backbeat to fill out the original lineup. In 1977, Fear released the single “I Love Living in the City”. Shortly after this Good and Backbeat left the band and were replaced by Philo Cramer and Spit Stix.

Credited for helping to shape the sound and style of American hardcore punk, the band started out as part of the early California punk rock scene, and gained national prominence after an infamous 1981 performance on Saturday Night Live.

The band’s SNL appearance included a group of moshers, among them John Belushi, Ian MacKaye of Minor Threat,Tesco Vee of The Meatmen, Harley Flanagan and John Joseph of The Cro-mags, and John Brannon of Negative Approach. The shows director originally wanted to prevent the dancers from participating, so Belushi offered to be in the episode if the dancers were allowed to stay. The end result was the shortening of Fear’s appearance on TV. They started their second performance by saying, “It’s great to be in New Jersey,” drawing boos from SNL’s New York live audience. Fear played “Beef Bologna,” “New York’s Alright If You Like Saxophones,” and started to play “Let’s Have a War” when the audio and video of the telecast faded into commercial. During the performance the slamdancers left ripe pumpkin remains on the set and stage speakers.

Shortly after the 1981 Halloween SNL appearance, which resulted in $20,000 in damages, a New York Post article later reported the figure to be $500,000. This is believed to have originated from a phone call from the New York Post to Ving, in which Ving responded to the claim of causing $20,000 worth of damage by saying “Hold it, hold it! No way, pal. That’s a bald-faced lie! We caused $500,000 worth of damage, a cool half a million dollars worth of damage, ‘cause we’re professionals, and I counted the damage myself!”

Although Lee Ving is the only original remaining member, others were recruited and Fear still performs today.

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Peter Schilling is a German synthpop musician whose songs often feature science-fiction themes (aliens, astronauts, nuclear holocausts, etc.).

His 1983 album, Error in the System, generated his only international hit single, “Major Tom (Coming Home)”, a retelling of David Bowie’s classic 1969 song “Space Oddity”. Although the song was originally recorded in German, the international hit version was sung in English.

The band, Shiny Toy Guns, did a cover of “Major Tom” in early 2009. The cover was well-received and later appeared in a Lincoln car commercial.

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The Avett Brothers is a folk rock band from Concord, North Carolina. The band is made up of two brothers, Scott Avett and Seth Avett, who play the banjo and guitar respectively, and Bob Crawford who plays the stand-up bass.

They are often joined on tour by cellist Joe Kwon. Following on from Seth and Scott’s former rock band Nemo, the Avett Brothers combine bluegrass, country, punk, pop melodies, folk, rock and roll, honky tonk, and ragtime to produce a sound described as having the “heavy sadness of Townes Van Zandt, the light pop concision of Buddy Holly, the tuneful jangle of the Beatles, the raw energy of the Ramones.”

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The Carolina Chocolate Drops are an old-time string band from Durham, North Carolina, Formed in November 2005 following the members’ attendance at the Black Banjo Gathering in Boone, North Carolina, the group is one of the few remaining African American string bands. There are three members: Rhiannon Giddens, Dom Flemons, and Justin Robinson, who were all in their twenties when the group formed.

All of the musicians sing and trade instruments including banjo, fiddle, guitar, harmonica, snare drum, bones, jug, and kazoo. The group learned much of their repertoire, which is based on the traditional music of the Piedmont region of North and South Carolina, from the eminent African American old-time fiddler Joe Thompson, although they also perform old-time versions of some modern songs such as Blu Cantrell’s R&B hit “Hit ‘em Up Style.”

Like most of the Carolina Chocolate Drops’ work, the album, a mixture of traditional folk songs and recent pieces, is part of the Chocolate Drops’ effort to celebrate the string band music of the Piedmont region of North and South Carolina, and the influence of African-Americans on this music

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The Runaways were an American all-girl teenage rock band that recorded and performed in the second half of the 1970s.

The band released two studio albums carrying their best known songs “Cherry Bomb”, “Queens of Noise”, “Neon Angels (On the Road to Ruin)”, “Born to Be Bad” and the cover of The Velvet Underground’s “Rock n Roll”. The Runaways were later a sensation in Japan where “Cherry Bomb” was a hit single.

The Runaways were formed in late 1975 by drummer Sandy West and rhythm guitarist Joan Jett after they had both introduced themselves to producer Kim Fowley, who gave Jett’s phone number to West. The two met on their own at West’s home and later called Fowley to let him hear the outcome. Fowley then helped the girls find other members.

The Runaways began the party and club circuit around Los Angeles. They soon added lead guitarist Lita Ford who had originally auditioned for the bass spot. Local bassist Peggy Foster took over on bass but left after a month. Lead singer Cherie Currie was found and recruited in a local teen nightclub called the Sugar Shack, followed by Jackie Fox (who had originally auditioned for the lead guitar spot) on bass.

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The Wizard of Oz is a 1939 American fantasy film directed primarily by Victor Fleming from a script mostly by Noel Langley, Florence Ryerson and Edgar Allan Woolf, with uncredited contributions by others. Fleming is the only director to receive credit on the film, on all advertising posters, and on the soundtrack album.

It features Judy Garland, Ray Bolger, Jack Haley, Bert Lahr and Frank Morgan, with Billie Burke, Margaret Hamilton, Charles Grapewin, Clara Blandick and the Singer Midgets as the Munchkins. Notable for its use of special effects, Technicolor, fantasy storytelling and unusual characters, The Wizard of Oz has become, over the years, one of the best-known of all films and a true classic.

Meet 1960’s NJ gals THE LADYBIRDS. The world’s first topless all girl group . The band was from Jersey and split to Vegas and Hollywood. They also toured with The Yardbirds in 1968 and were AWESOME musicians.

The LADYBIRDS were punk before punk was punk.

Much respect.